Category: Miami Stories

Sheila Presser (Bronx born) and Norman Litz (a Philadelphian) both moved to Florida with their families in 1946. Sheila graduated from South Broward High School, named “The Wittiest” in her senior class. Norman graduated from Miami High, a left-handed star pitcher on the baseball team; he was also known as “Lefty Litz.”

Upon graduation, the University of Miami offered Norman a baseball scholarship; he pitched for two years as a Miami Hurricane. He had offers from the St. Louis Cardinals and the Boston Braves, but instead he made the decision to enlist in the United States Air Force, during the Korean War. It was 1951.

Norman, also known as my father, was sent to Los Alamos, N.M., for two years. During this period, Dad worked in the Los Alamos Scientific Laboratory, and was then sent on temporary duty to the Marshall Islands (Eniwetok Atoll and Bikini Atoll) and the Mercury Proving Grounds (outside Las Vegas) where he participated in the testing of the atomic bomb and the H-bomb. He speaks often about this experience of a lifetime, remembering every detail. He has always spoken very proudly of his service to our country.

Fast forward to 1957. Sheila, my mother, a radiology technician, worked at Mount Sinai through the early ‘60s, and continued her career managing physicians’ practices for many years thereafter. Her finest job, however, was that of being our mom, and no one ever did it better.

Mom and Dad met in 1960. They married in 1961, and embarked on their life together, living on Miami Beach. Dad’s career began with the City of Miami Beach, first as an auditor. He was soon after offered the job of assistant manager at the Miami Beach Convention Center. In 1971, Dad was promoted to director of the Convention Center (and the Jackie Gleason Theater of the Performing Arts), where he remained until his “first retirement” in 1993. Dad spent 22 years in this extraordinary position, hosting the 1968 Republican National Convention and the 1972 Democratic and Republican National Conventions, the major expansion of the MBCC in the late 80s and, if you give him an hour or two, he could come up with innumerable experiences while there.

Though Dad loved his work, it required so much of his time – many weekends and evenings, too. That left Mom with the gigantic task of raising their two children, kind of single-handedly. You know what? They made it work. Moreover, they raised two children who love life, cherish their family immensely, and enjoy their flourishing careers.

Post-Miami Beach Convention Center, Dad came out of retirement, bored to death, and finished up his long career with the Lincoln Theatre-New World Symphony as facilities director, from 1994 through 2008. Like the Lincoln Theatre, Dad, too, is truly a Miami Beach “landmark!”

Now, the children: Steve Litz, political reporter for NBC-6 with a career in television that has spanned 20 years; and me, Ronni Litz Julien, nutritionist/author/media consultant for the past 28 years.

Steve and I had what you might consider a “normal and happy” childhood. We are both Miami natives, born at Mount Sinai, and have remained loyal Miami residents most of our lives. The public schools we attended – North Beach Elementary, Nautilus Junior High, and the beloved Miami Beach Senior High – educated us well. We grew up with tons of love, a meaningful value system (and a true zest for life and a desire to be successful, joyful and well-respected adults. Our parents instilled so much good in us, which we hope we have now “paid forward” to our children, the next generation of Miami natives.

Seven years ago, Steve took a reporter position in Miami at NBC-6 after a 10-year stint working for the ABC affiliate in Charlotte, N.C. It was a very special event when Steve moved back home, which meant our nuclear family was reunited, along with Sheila and Norm’s three grandchildren (my children, Jamie and Jordan, and Steve’s son, Seth).

My own career as a nutritionist began in 1986, after completing my undergraduate college education at Florida International University, then receiving my master’s degree from Boston University. After only one winter in Boston, this Florida girl ran back to Miami.

I had the good fortune to have done so many things, and am blessed with a job I love, teaching healthful eating habits, longevity and behavior change. I have authored three nutrition-related books (national book tour included), plus a parenting manual on how to teach children better eating habits. Additionally, I have been a media consultant to most of the television stations here in Miami and have taught at the college and high school levels, but most of my years have been spent in private practice. Presently, I have expanded my practice to “concierge nutrition,” in which I go into the home and develop nutrition programs for the family, focusing on any and all nutrition and medical-related conditions. I am blessed with a wonderful life here for the past 50 years, and can only hope it continues as long as good health allows it.

Steve recently covered a special story on the possibility of the Democratic National Convention returning to Miami in 2016. He called Dad and asked him for a few “sound bites.” Once I saw the piece air that night – when Steve Litz interviewed Norman Litz – I realized that our lives here in Miami had come full circle.

It will be fifty years this November since we took the Pan American flight that would separate us from the life of the privileged in Cuba to that of political refugees.

They served us tiny ham-and-cheese sandwiches with the iconic blue PanAm logo that tasted to us of the future – America.

We moved in with my aunt and uncle and their children into a three-bedroom house on the corner of 82 Avenue and 17 Street, a neighborhood known as Westchester. The community was predominantly Jewish with a handful of Cuban professionals, actors and writers. Walking distance was Everglades Elementary, a lovely school, but not if you didn’t speak the language.

I knew a few words in English – the colors, numbers and so on – but not enough to survive the third grade. I was made to feel alien, which I was. I looked forward to my afternoons in the warmth of the kitchen of Mrs. Meyers’s house, down the street. She would give me a quarter after school for babysitting and she allowed me to lick the cake batter off of her beaters. She was so nice to me and I acted as if I enjoyed her batter, but I didn’t because I was suffering from anorexia nervosa and couldn’t keep anything down.

No one really knew how bad things were for me at Everglades until my mother was informed that because of my problem with the language, I was being held back in second grade. Thank God that practice has since been abolished.

I also cherish the memories of the holiday traditions that were established early by my parents in an effort to bring normalcy to our lives. We would all pack into the Ford Falcon and head to Jordan Marsh department store downtown (where the OMNI eventually would be built) to see the beautiful animated Christmas displays and head upstairs to the toy department where we would get our traditional picture with Santa.

The holiday tradition would culminate with the New Year’s Eve parade down Flagler. Sometime around noon we would set up the fold-out chairs in the parking lot across from Walgreens and, with sandwiches and hot cocoa, we would see the likes of Paul Anka, Bobby Darrin, the stars of TV shows such as “Flipper” and the terrific high school bands. Everything in the “Magic City” was bright and shiny.

Spring of 1964 would bring The Beatles to Miami Beach, the Mustang, and Coral Park High School to Westchester. “Wow, Mom, that’s where the big kids go,” I said, but all these things were in the future.

Spring also brought the celebration of Easter. Services at noon would be in Spanish at St. Brendan’s on 87th Avenue, with me in my two-piece pink outfit and straw hat from the Zayre department store, also on 87th. Lunch would follow at the Pizza drive-in on Bird and 87th followed by a jelly-bean-decorated coconut cake from Publix on Coral Way.

I did not go to Coral Park High after all. I graduated from Southwest High off of 87th Avenue and 47th Street in 1973, and by the time of my ten-year-reunion, both my parents had died of cancer at the age of 47, and I was divorcing. I had nothing to share.

The OMNI by then had replaced the magical windows of Jordan Marsh. As luck would have it, while getting certified in teaching, my internship landed me back at Everglades Elementary, in the exact second grade with the same teacher who had held me back as a seven year old because I did not understand the language.

I eventually did end up at Coral Park, but as a teacher and, amazingly, the little seven year old who had been held back was now honored by her peers and elected 1999 Teacher of the Year.

The “Magic City” will never recapture the luster of the sixties through the eyes of a seven year old. I miss the blimp on Watson Island, the train rides at McArthur Dairy on Mother’s Day, flying kites on Father’s Day at Robert King High, the colorful Christmas windows at Jordan March, and most of all neighbors like Mrs. Meyers.

I was not allowed to talk at six o’clock when the news came on. Dinner at the pull-down table in the breakfast room was a silent affair, but for the radio.

Edward R.Murrow was reporting: Hitler’s crossing this river, that river. Daddy fumed that he wanted to go “over there,” to help our country – but he was too young for WWI, too old for WWII and he and Mommy were saddled with 3 little girls and one on the way. Mommy would say, “Why am I bringing another life into this horrible, hopeless world?”

A recurring ghastly nightmare — me, 5 years old, swinging on the playground at North Beach Elementary – and suddenly Hitler was standing on a giant swing, arcing over the playground, with a uniformed German on each side in identical mustaches and on swings, each one scoo-o-o-oping up little children – me, one of them, disappearing into instant night.

During the day I would march alongside soldiers outside my house on Royal Palm Avenue and in Polo Park (where Nautilus Middle School now stands). The army was occupying Miami Beach hotels, with the streets as their training grounds. One of my first songs was, “Over there, send the word . . . that the Yanks are coming. . . .” Me wondering, who ARE the yanks, anyway?

There were blackouts every night and rationing; my parents were on Civil Air Patrol “birdwatching” from the Roney Plaza hotel tower for German subs off the coast.

In school, I remember wrapping bandages for the war effort and singing, “Off we go, into the wild blue yonder. . . .” There were daily drills and we had to duck under our desks.

Then, on Fox Movietone News, concentration-camp skeletons were being liberated. Then came the great day! I was nine years old, and my whole childhood of memory had been nothing but war. Now that childhood was almost gone – I danced around the radio with my sister singing, “The war is over, the war is over, the war is over!!!!”

On Sundays when I was little, my dad and I would take the tandem bike and ride from our home in North Miami to the beach. Most of the time, my legs were just along for the ride and rested lightly on the rotating pedals, allowing my dad to do the hardest pedaling. With the 19-mile round trip, I preferred to save my energy for galloping through the waves. I started tap dancing when I was four, and it was always more fun to shuffle and lindy through the waves. The flapping of my feet struck the water, and resonated with even more satisfying sound than the beat of metal taps on a wooden dance floor. It was always a celebration, dancing.

While my dad and his dad were football players at my age, I was never interested in sports. There was, and still is, something magical that happens when I step out onto a stage. The feeling is a strange cross between everlastingness and fleetingness. And somewhere in between the -ness, I have always remained caught. For me – much more than the acknowledgement that dance is a language and that dance is a representation of everyday experiences – dance is much like life: some days it feels like forever, and then there comes a day when there are no more days. In this way, dance is also a measure of time. And this love for dance has helped me through many difficult times, including the loss of my mom when I was 9.

One of the best memories I have of my mom is standing on the tops of her feet as she danced around the living room. I remember the feeling of shifting from one foot to the other, the continuity of her movements and my role as her abiding partner, neither controlling nor directing the dance but a part of it nonetheless. After she passed away, I would stand in the middle of the living room, close my eyes and try to recreate our waltz. It was never the same.

My mom started me in dancing. Once a week, we’d all get in the car together and drop her off at an adult tap class in North Miami. My dad and I would then continue on to Donavan’s Bar & Grill on Northwest 7th Avenue. Donavan’s had billiards and French fries, and we’d hang out there for the hour or so of her class. Eventually, I grew curious about my mom’s tap class and began to stay and watch. This led to being enrolled in dance class myself and it was strange at first – not the same as leaping through ocean waves or whirling into dizziness at home, but I soon caught on.

I am very close with my dad, and for a few years after my mom died, he too became closer with his. Around this time, my dad signed me up for a football summer camp. I tried football, but I prayed for rain every day we had practice. Most of the other boys at Bunche Park already understood football and played it in their own backyards, much how I practiced dance in mine. I remember doing sprints – that was the one thing for which I was passable. I could run without tripping on my own two feet. Aside from one kid I befriended with a perpetually runny nose, who could also burp on command, the entire experience was pointless. I have a faint memory of my dad bringing Grandpa Lou to one of the practices (when I had been unsuccessful with my rain invocation), and as terrible as I was, my grandpa seemed far more pleased with my mediocre football than my love for dance.

A few years later, my grandpa passed away. And for another year or so after that, his ashes and wristwatch waited on the mantle. After watching the movie Around the Bend with Christopher Walken and Michael Caine, my dad and I awoke from our moratorium. We walked outside and stood on the dock behind our house to cast his ashes into the dark lake, leading into a canal of brackish water that weaves through many of the neighborhoods in Biscayne Gardens. After minutes of silence, my dad turned to me and said, “Give us a little soft shoe, son.” So there I stood holding my grandfather’s ashes in a cardboard box and tapping out “Tea for Two.” I felt highly inappropriate doing this, believing this ceremony required a more solemn reflection.

After making sure all of Grandpa Lou was out of the box and into the lake, I noticed for the first time just how cathartic dancing is for me. The tapping out of the rhythms brought me back to my best memories of my mom, and suddenly this was not so much about solemnity as it was of celebration. Celebrating life that can be over as quickly as a dance. And it is in this precious fragility I now find my place as a dance artist and choreographer.

Much like my earliest experiences with dance, I am very interested in creating dance for non-traditional and unexpected locations. We have plenty throughout Miami – secret places we drive past everyday without ever knowing of them. I was recently awarded a Knight Arts Challenge grant for a project called Grass Stains that will help commission and mentor other artists interested in creating work that highlights Miami’s hidden spaces. As I continue to change as an artist, my early memories of growing up in North Miami inform my art making and remind me of those in-between moments, of everlastingness and fleetingness, the dances that have ended and those whose music hasn’t yet begun.

One of Jean McNamee’s first memories as a child in Hollywood was of her mother, Elise La Monaca, putting her and her brother in the family’s icebox.

Her father, Caesar La Monaca, calmly assured his wife that everything would be alright, but Elise was afraid the roof would come off the house or that the rising flood water would overtake them.

Caesar peered out of their East Hollywood home on Sept. 18, 1926. In the shadows of the stormy morning he saw images he would recount for the rest of his life: Large objects floated haphazardly through his neighborhood. Cars were being pushed by powerful winds and waves through the streets, as if being driven by frenetic children on a bumper car floor.

The Great Hurricane of 1926 killed many people on its path of destruction. What La Monaca couldn’t have realized that day was that the winds of that storm would change the direction of his career and his life. It would end up pushing him towards Miami, where he would become the city’s authentic “Music Man.”

La Monaca was born in 1886 to a shopkeeper father, Vito, in San Severo, near the heel of what is the Italian boot. His mother, Giovanna, raised six children.

He was born Cesare, which he Anglicized to Caesar in America. He followed his older brother, Giuseppe, who later changed his name to Joseph, into the Banda Bianca, an Italian community band in which new band members were apprentices, studying music theory as well as instrumental techniques until they were good enough to play with the group.

After Joseph earned a flute-playing job in Ellery’s Royal Italian Band, a touring group in the United States, he found a spot for Caesar as a horn player.

The La Monaca brothers immigrated and traveled America’s booming heartland, playing concerts, festivals, fairs and any event that would hire them.

As America entered World War I, La Monaca was drafted. His expertise in music was discovered and he was made the enlisted bandleader of the Camp Kearney band, in California, while serving in the 82nd Infantry Division. During those years he transitioned from musician to bandleader.

The war wound down before he was deployed and La Monaca moved back to the Northeast, where he worked on Broadway and in vaudeville. In New York, he met a beautiful young Italian immigrant, Elise D’Addona. She was 15 years his junior but Caesar proposed on their first date and they were soon married. The La Monacas soon had two children, Caesar Vito and Jean.

Joseph La Monaca moved to Philadelphia, where he began a prestigious career as flautist and composer with the Philadelphia Symphony.

Ceasar La Monaca brought his band to Florida in 1923. With six new houses starting construction daily, developer J.W. Young’s Hollywood was exploding with residents and they needed entertaining as much as the tourists in Young’s hotel. Young hired La Monaca full-time. By 1926, Hollywood had a bandshell, an outdoor stage at the casino, and countless other venues for live music. La Monaca even formed a marching band to participate in Hollywood’s first Fourth of July parade.

Soon after the Great Hurricane, Hollywood’s economy floundered and La Monaca had to look for work elsewhere. He joined the American Legion as musical director for Harvey W. Seeds American Legion Post #29 drum corps. The corps already held a national championship. La Monaca would lead them to three more national championships and countless state championships as well as international accolades over the following 25 years.

La Monaca soon won the job producing seasonal concerts at Miami’s Bayfront Park. His free concerts became a social staple, with thousands in attendance at almost every show. He attracted guest soloists like the famed Mana-Zucca and local John Basso. He introduced thousands of music fans to classical songs he arranged from memory. His bands also played popular songs and even some of his own compositions. La Monaca wrote several songs about Miami.

He was always teaching music and bringing good musicians together. He incorporated members of the 265th Coast Artillery band of the Florida National Guard band, where he was the bandmaster, and students from the University of Miami, into his shows.

During the Great Depression, La Monaca, through the Works Progress Administration (WPA), was able to get unemployed musicians to teach music to his drum corps.

It is impossible to count the thousands of young men and women La Monaca trained over the years. He and Miami Sheriff Thomas Kelly, a fellow Legionnaire, launched the Miami Boys Drum and Bugle Corps for younger boys. Even after they retired from the marching field, they helped guide the development of the Miami Vanguard and Legion of Brass drum corps. La Monaca taught Boy Scout drum corps in Miami and Hollywood. He organized the predecessor to the Greater Miami Youth Symphony.

Daughter Jean McNamee recollects one Orange Bowl parade in which her father marched the route five times. As soon as he would get to the finish line, a police escort would take him back to join another of his marching bands or drum corps.

From 1926 to his death in 1980, La Monaca’s bands were everywhere in Miami: His band opened the horse track at Tropical Park in 1931 and played there and at Hialeah race track regularly. In 1933 his band was at Bayfront Park during the attempted assassination of President-elect Franklin Roosevelt.

During World War II, La Monaca was too old to serve. He was forced to retire from the military. He joined the all-volunteer Florida State Guard and helped the sales of war bonds.

He worked tirelessly in the industry that brought him joy and success. He was a musician, composer and a respected conductor. La Monaca, an Italian immigrant whose life began under adverse conditions, arranged his way to the American dream as Miami’s Music Man.

In 1953, my father realized his dream of many years when we moved from Allentown, Pa., to South Florida.

I can remember stepping off the train at the old Florida East Coast Railway station in downtown Miami in the middle of August. When the blast of heat hit me, all I could think about was how I missed my hometown, my friends and my dog that I had to leave behind. When I entered Ada Merritt Junior High School, it looked like a cardboard school compared to the sturdy brick school I attended back home. It was a difficult adjustment, but before long I made new friends and became acclimated to the heat and mosquitoes.

We lived on Southwest Sixth Avenue and my brother Jim and I would take frequent walks to explore our new environment. We often walked by the two-story frame homes from the late 1800s that lined Brickell Avenue. Close by was Miss Harris’ School, a private school for girls. My only regret is that I never took photos of these historic homes.

One day, my brother and I bicycled across the Rickenbacker Causeway to the end of Key Biscayne to explore the old Crandon estate. There was very little left, but it was exciting to view the remains of this home, as well as Key Biscayne. We could hardly walk for a few days after that long bike trip. Another time we tried to “enter” Vizcaya via the bay side, but didn’t get far past the thickets.

Our family moved to Coconut Grove a few years after coming to Miami. Our home was on a street that ended at the bay. There was a large empty lot that extended from behind our home to the bay. This land has since been developed. Back in the ‘50s, we had large land crabs crawling all over our back yard and we could get a clear view of the bay from our house. I used to enjoy sitting on the seawall at the end of our street watching the boats go by. From the seawall, I could see Fair Isle (now Grove Isle) before it was developed.

When we were teenagers, we used to speed down “thrill hill,” as Darwin Street in Coconut Grove was then nicknamed due to its elevation. It wasn’t much of an elevation but compared to the rest of Miami, it was a hill. Being a short hill, we had to quickly brake at South Bayshore Drive. Just a few feet down the street was Jensen’s Restaurant, which later became Monty Trainer’s.

Coconut Grove was a sleepy, artsy town in the ‘50s. A highlight of my teen years was going to see Elvis Presley at the Olympia (now Gusman) Theater in downtown Miami. The theater was filled with screaming teens and, I am embarrassed to admit, I was one of them.

After graduating from Miami High, I entered the University of Miami. The campus was different from the way it looks today. Everyone congregated at the “Slop Shop,” along the patio by the lake. Girls were forbidden to wear Bermuda shorts to class and many wore them under their trench coats. There was always a party going on at one of the frat houses that lined the campus, and the lion in front of PKA frat house was constantly getting attacked with paint. On Friday afternoons, the place to go was the Campus Canteen, which is now Taco Rico on U.S. 1. One afternoon, Coral Gables police officers pulled up to the Canteen with a bus to haul away all the students who were caught drinking under the age of 21.

Miracle Mile and Lincoln Road were THE places to shop before Dadeland was built, with many wonderful stores to choose from, like Judy Leslie’s and Stow on the Wold. Popular restaurants included Chippy’s and Jahn’s Ice Cream Parlor. Also, Tyler’s Restaurant on Ponce de Leon Boulevard, where the chicken with honey was always a hit. A few blocks down on Coral Way was Dean’s Waffle Shop where we would go for a late-night snack after a movie. At Dean’s you always saw someone you knew. The Holsum Bakery coffee shop was another popular spot to stop for coffee and glorious French doughnuts.

In the ‘70s, the favorite sport among teens, including our oldest daughter (unknown to me), was to sneak into the abandoned VA hospital – now the Biltmore – and climb up to the tower. This was a challenging and scary prospect as there were no lights in the building and the abandoned operating tables and gurneys added to the eerie atmosphere. I learned of these exploits years later when my daughter knew she would be free from punishment.

My husband and I have been residents of Coral Gables for 45 years. We remain ever grateful for the privilege of living and raising our children in this beautiful city. Our daughters now live in New York but loved growing up here and spent much of their youth playing tennis and swimming at the Coral Gables Country Club. They have fond memories of J. Paul Riddle, an aviation pioneer and founder of Embry Riddle Aereonautical University, who was a mentor and tennis coach to my older daughter and so many of the youngsters who frequented the tennis courts.

As a docent at Merrick House, I have learned much about our city’s history and the debt we owe to its founder and creator, George Merrick. It is always a good feeling to drive through the arches and come home to this beautiful tree city. There is nowhere in South Florida I would rather live.

My father met and married my mother in 1929 and I arrived in 1930. Her mother came to Miami from Cleveland, OH, in 1923 to begin a new life. She opened a tropical fruit stand on the front porch of her coral rock house at Northeast 26th Street and Second Avenue.

The fruit was purchased early in the morning at the farmer’s market on Northwest 12th Avenue and 20th Street, and the market is still there. She then became a real estate broker and, after many years of buying and selling real estate, she purchased a small hotel on Miami Beach. She became a civic leader and was presented with a gold key to the city by the mayor.

When I was seven years old, I watched the store as I ate my nickel ice cream cone and observed the trolley cars go by on Second Avenue. On the weekends, my family and I took the trolley car that ran down the middle of the MacArthur Causeway to Miami Beach. We went swimming in the ocean and built sand castles. Though the trolley is long gone, now there is talk of bringing it back to run once again. As the saying goes, “Everything old is new again.”

I attended Beach High, where many of the students were from families that were either very rich or very poor. However, at school, everyone played and worked together and we had a great time. Latin music was the rage and many of the boys had Cubavera jackets and suede shoes.

The Lindy Hop was a popular dance, and Beach High’s big patio was the place where we had wonderful dance parties. Sports were a big part of high school life. I played tennis and won the Beach High tennis trophy. I was initiated into the B club and joined a fraternity with Irwin Saywitz, who became an owner of Joe’s Stone Crab restaurant.

After graduating, I attended the University of Florida, studying architecture with Kenny Treister, who later built the Mayfair Center in Coconut Grove. We were members of the ZBT fraternity and one day made a bold decision to write to Frank Lloyd Wright and ask him to design a fraternity house for us. He did — it was brilliant.

Unfortunately, the fraternity could not afford to build it. Wright came to Gainesville for two exciting days to present the plans and to meet and lecture with all the young aspiring architects and the faculty. That was the highlight event of the school year.

After graduating, I entered the Navy Officer’s Candidate School. This was the time of the Korean conflict and all boys over 18 had to serve. After serving three and a half years, I was honorably discharged as an LTJR (junior lieutenant). During this period I was on an aircraft carrier stationed in the Mediterranean. My next tour of duty was as an aid to the commander-in-chief of the fifth fleet in Norfolk, VA, where I greeted all of his visitors.

After my discharge, I returned to my home in Miami, where I began my career as an architect with Bob Bleemer, a high school friend. We opened a very small office on 40th Street in the Design District and were successful. It was a time of construction and growth in Miami and we were a part of it.

We borrowed money and built an office building in the neighborhood and eventually employed 35 designers and architects. We became well known and designed more than 40 condominium interiors in Miami, plus many projects around the country and in South America. Miami grew and we grew with it.

After 20 years, I partnered with Pepe Calderin and we became Levine Calderin & Associates. We won numerous awards.

I received a lifetime achievement award from the American Institute of Architects, and then finally retired to spend time as president of the American Foundation for the Arts, which I founded. In the 1980s, we created an exhibition space in the Design District on 40th Street and Second Avenue. This was a period when Miami only had a few galleries and a small museum of art, and The American Foundation of the Arts played a major role in Miami’s developing cultural life.

We helped bring numerous artists to Miami for exhibitions and lectures, among them Christo who draped the islands of Biscayne Bay in pink and pop artist Alex Katz. We also gave many local artists their first show and produced beautiful catalogs for each exhibition.

During the creation of the museum, I learned about the artist Purvis Young, who lived in Overtown. The Miami Herald ran a big story with a color picture of “Goodbread Alley” where Purvis lived. The article said that many of the wooden homes and fences in the neighborhood were to be demolished, including paintings that were nailed to the houses.

The next day, I went to “Goodbread Alley,” met Purvis and purchased 80 of his paintings. Purvis’ work is now in many museums and private collections throughout America.

The city has grown and today has many outstanding cultural institutions. It is a vibrant, cultured, and fabulous place to live. It was wonderful to be a part of the growth of the Magic City.